01
Is the manuscript complete?
The whole book needs to exist, including its ending, front matter requirements and any notes, references or permissions that materially affect the text. A partial draft can be assessed, but it should not be treated as production-ready.
02
Can you describe the intended reader?
“Everyone” is not a useful audience. You should be able to describe who is most likely to care, what they expect from this kind of book and what promise the book makes to them.
03
Does the structure carry the reader?
For fiction, examine narrative drive, character development, stakes, pacing and resolution. For non-fiction, examine the sequence of ideas, evidence, examples, repetition and whether each chapter earns its place.
04
Is the authorial voice consistent?
The prose does not need to sound like anybody else. It does need to feel intentional. Sudden changes of tone, viewpoint, tense, formality or terminology usually signal work still to be done.
05
Have the large revisions finished?
Copy-editing and proofreading are poor investments if chapters, scenes, characters or arguments are still moving. Complete the structural work before paying for line-level correction.
06
Have facts, sources and permissions been checked?
Names, dates, quotations, images, maps, lyrics, trademarks, personal information and potentially defamatory claims require attention before publication. Specialist legal advice may be needed where risk is material.
07
Has somebody tested the reading experience?
Useful feedback comes from readers who understand the genre or subject and can explain where they became confused, disengaged or unconvinced. Praise alone is not a readiness test.